Designs by Katsuhiro Otomo (Akira) for “Harmagedon” animated movie (1983) directed by Rintaro.
Full gallery :
https://www.catsuka.com/gengal/artworks//genmataisen
https://www.pinterest.fr/catsuka/animation-artworks/harmagedon/
( Gengal update 1/31 )
The breastplate of cuirassier 23 years old Antoine Fraveau, struck and killed by a canonball. June, 1815, serving Napoleon Bonaparte at the Battle of Waterloo
Arrowhead (Yanonē), Arms and Armor
The Collection of Giovanni P. Morosini, presented by his daughter Giulia, 1932
Metropolitan Museum of Art, New York, NY
Medium: Steel
Tilda Swinton photographed by Sandro Kopp on the set of Luca Guadagnino’s “Suspiria”
‘bamboo basket chair’ by isamu noguchi and isamu kenmochi, 1950
© musée du quai branly / the isamu nogchi foundation and garden museum, new york
Parti Communiste Français Headquarters, Paris, France.
(Arch. Oscar Niemeyer, Jean Deroche, Paul Chemetov, Jean-Maur Lyonnet & Jean Prouvé, 1965-80)
Photo by Carlos Traspaderne with Hasselblad 500 C/M & Kodak film.
Herm of Dionysos about 200 – 100 B.C. bronze, calcitic stone
Attributed to the Workshop of Boëthos of Kalchedon (Greek, active about 200 – 100 B.C.)
This herm still retains the ivory inlay of the white of its left eye, giving a better idea of the work’s original appearance.
Banded agate amphoriskos (perfume bottle)
Roman, late 1st century B.C.–early 1st century A.D.
Height 2 3/8 in. (6.0 cm)
In Hellenistic and Roman times, vessels made in semiprecious stone were
much sought after as symbols of wealth and sophistication. They were
used as diplomatic gifts or treasured as heirlooms, and many of them
found their way into royal tombs or imperial collections, both in
antiquity and later. Their rarity also encouraged imitations in both
glass and pottery.
Source: The Metropolitan Museum of Art
A peek at the disaster 